My artistic journey began in September 2024 — even though art had always lived quietly somewhere inside me. As a child, I spent hours in my father’s workshop, surrounded by the scent of wood and the calm rhythm of making. I didn’t know those moments were planting the first seeds of something that would one day call me back.

After years in a different world — structured, rational, far from creativity — I wanted something real. Something with emotion, imperfection, and touch. Returning to my father’s workshop felt like coming home. We started creating together again, this time as equals — two generations shaping small pieces of wood into stories that will outlive us both.

Each mosaic is built by hand, piece by piece, from hundreds of wooden “pixels.” They’re not perfect — because life isn’t either. Every shape and shade holds a trace of emotion, movement, and time. My work is a dialogue between precision and chaos — between me and my father, between control and surrender, between the need to build and the courage to let go.

Wooden pixel art is a rare technique practiced by only a handful of artists worldwide. I am likely the only woman pursuing it full-time — and the only one building named collections from my own original motifs.

Through Max&Pix, I’m learning to trust the process and let what’s inside speak without filters. These works aren’t only about what you see — they’re also about what you feel when you look closely. They’re about returning — to roots, to honesty, to creation that carries the warmth of human hands.